Reviewed by Paul Poulton

The fact that the Rev James Moore died a couple of months ago gives added poignancy to this last release of the gospel giant. The singer is introduced to the stage as "one of the greatest men in gospel music or music in general." The Reverend takes to the stage firing on all cylinders. The band's simple but effective groove is all he needs to show us why the gentleman who introduced him to the stage gave him such kudos. He exudes soul and I'm not surprised, James is back on the road after a very serious illness and is full of praise to God. The second song, "He Will Provide", follows the pace set by the opening song, resting on an infectious bass line with the choir accompaniment filling in (the gaps). The song leaves me in no doubt that God will provide. The Right Reverend is in top gear now, the third song, "Somehow" has a beautiful, slow, blues feel, which is so far up my street that it's knocking on my next door neighbour's house. She can probably hear it actually, the volume I'm playing It. The Rev James is putting all he has into this performance and is close to tears, his in-between song dialogue is almost indecipherable. Brokenness is the sacrifice that God wants from us and this performance must be a sweet smelling savour to the Lord. Whether The Reverend is so overcome that he needs a break, I'm not sure but the next couple of songs are sung by guests, one of whom is the well known Rudolph Stanfield Sr, who wrote "I Know The Lord Will Make A Way" which is the song he sings on this CD. The album is produced by Rudolph's son, tight vocal arrangements, intermittent stabs which the band play in unison over the drums, swirling organ for the slower songs, studio overdubs giving the live feel a neat sparkling finish. Vanessa Bell Armstrong moves the listener's further singing "Great Is Thy Faithfulness". After the fervour of the opening, slower songs ensue, moving into standard gospel fare, however James' thankfulness cannot be contained and explodes with "Rise, Shine" which is a real tight, neat arrangement of the old Sunday School song. James is at his soulful best, echoed by the choir's automatic weapon burst of vocals. The 14 tracks finish with a laid back version of "He Already Said He Would". No real "negs" to mention.

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

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