Reviewed by Andrew Townend Described as the band's "most collaborative project to date" by leading lyricist, and producer, Derek Webb, this assessment does not go at all amiss, with five of the six band members contributing to songwriting duties. Instrumentally, it is outstandingly diverse, particularly adding to the haunting feel of songs such as "God's Hometown". Great harmonies are abound between the three vocalists of the band and Sandra McCracken, Webb's wife and an acclaimed singer/songwriter in her own right. Overall, it is a darker effort, musically, than 'Overdressed' while, as far as the melodies and accompaniments go, this is Caedmon's at their peak with some gorgeous strings, delicate piano playing and great vocal collaboration, particularly between Derek and Cliff, and even some chiming bells in "Family". Lyrically, it is rather oblique though there is "David Waits", another song about sculpting, after 2003's "Hands Of The Potter". For me, album highlights are "Miss You", a beautiful lovelorn croon from Danielle Young and the sweeping finale "Free", which some listeners may find repetitive, and others may wish it were 10 minutes longer. All that being said, it is a dreamy climax to a shrouded album.
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Coined as their “most collaborative project to date” by member Derek Webb, Caedmon’s Call’s Raising Up The Dead showcases a creative energy and sense of camaraderie never seen in their previous projects. This album is Caedmon’s 16th studio release and highlights the personalities of each band member – forming a musical experience that defies conformity by choosing to explore the diverse creativity of some of the industry’s most talented musicians, vocalists and songwriters. With Raising Up The Dead, Caedmon’s Call are once again able to blend the deep themes of faith and life into new and groundbreaking music that sounds as fresh as ever. |