Byron Keith - Here Inside My Heart

Sunday 1st June 1997
Byron Keith - Here Inside My Heart
Byron Keith - Here Inside My Heart

STYLE: Pop
RATING 9 9 9 9 9 9 9 9 9
OUR PRODUCT CODE: 17088-31184
LABEL: Independent
FORMAT: CD Album
ITEMS: 1

Reviewed by Mike Rimmer

A fresh new talent, unsigned as yet but with a calling card independently produced CD which sizzles with class. Mr Keith is a songwriter with a future that indicates it's only going to be a matter of time before one of the USA big boys snap him up. Before then, you have the chance to be ahead of the crowd by grabbing this acoustic flavoured debut. Mellow, acoustic music, strong songs, tender arrangements, there's plenty here to grab the discerning music lover! His voice has been compared to Steven Curtis Chapman and I wouldn't disagree but what's great about this recording is the airy production which gives space for Byron's voice to breathe. "Harbor" is driven by some nice guitar and conga work while integrating an atmospheric violin. He's already worked behind the scenes with Jars Of Clay and they have performed his arrangement of "Oh Little Town Of Bethlehem" included here. "Please See" is a tender wedding song but my favourite is "Open The Door" with its insistent rhythm line and the catchiest of choruses suggesting that the doors will soon be flung open for this 21-year old.

Also reviewed in CR42, 01-12-1997
21 year old American Byron Keith is a fresh new talent joining the CCM scene. This album captures his full potential to go far. With a voice similar to that of Steve Curtis Chapman and music Chapman himself would be proud of, this collection of 10 songs is well worth checking out. The style progresses naturally throughout the album (although all the songs are pretty mellow) with the last piece giving new meaning to a "hidden track". Keith's relationship with Jars Of Clay is reflected in the beautifully arranged acoustic instruments and Jars even use his version of "O Little Town Of Bethlehem" in their concerts.
9
Nick Castle

The opinions expressed in this article are not necessarily those held by Cross Rhythms. Any expressed views were accurate at the time of publishing but may or may not reflect the views of the individuals concerned at a later date.

Interested in reviewing music? Find out more here.

Be the first to comment on this article

We welcome your opinions but libellous and abusive comments are not allowed.












We are committed to protecting your privacy. By clicking 'Send comment' you consent to Cross Rhythms storing and processing your personal data. For more information about how we care for your data please see our privacy policy.