The latest part of the ongoing series chronicling, in no particular order, the greatest 1001 recordings made by Christian artists
Continued from page 70
950. AVALON - TESTIFY TO LOVE, 1997. From the album 'A Maze Of
Grace', Sparrow.
Slickly produced pop music has always
had plenty of critics and the CCM variety has, down the years, been
frequently vilified. But in truth harmony vocal groups which began
with Southern gospel and found their pop bearings with groups like the
Imperials and First Call have long been part of Christian music's
heritage. Producer Charlie Peacock understood where Avalon were coming
from and with a bunch of top Nashville musicians brought out the
group's rich blend of male and female voices. All he needed to score a
Christian radio hit was a truly memorable song and he got it in
"Testify To Love", an uplifting number penned by Britain's Paul Field
and Holland's Ralph van Manen. The rendition by Avalon and Peacock is
faultless - as good as Nashville CCM gets.
Tony
Cummings
951. CROWDER WITH BILL GAITHER - BECAUSE HE LIVES, 2014. From
the album 'Neon Steeple Deluxe Edition', Capitol.
In the
late '60s Gloria Gaither was going through troubled times including
unfounded criticism of her musician husband Bill and serious financial
pressure. One day she went into her children's playroom and, on a beat
up old piano, wrote a song which expresses the hope she could still
find in Christ. That song "Because He Lives" was first popularised by
the Bill Gaither Trio and has gone on to be recorded hundreds of times
and printed in dozens of songbooks. In 2014 radical modern worship man
Crowder took the song and with Bill Gaither himself recorded a version
stylistically some way from the original rendition although the
timeless words "Because he lives I can face tomorrow/Because he lives
all fear is gone" continue to resonate with truth.
952. BIRMINGHAM JUBILEE SINGERS - I HEARD THE PREACHIN' OF THE
ELDERS, 1927. From the album 'Complete Recorded Works in Chronological
Order Vol 1 1926-1927', Document.
Jefferson County in
Alabama was a rich source of African-American vocal group talent
between 1925 and 1950. One of the many groups that started there were
the Birmingham Jubilee Singers. Rich harmonies led to them being able
to tour the vaudeville theatres of America as well as recording many
songs, both secular and sacred, for Columbia Records. The Singers'
rendition of the old spiritual "I Heard The Preachin' Of The Elders",
featuring the stately lead vocal of Charles Bridges, still connects.
953. IAN YATES - ALL YOU NEED IS LOVE, 2016. From the
album 'Awaken To Love', 7Core Music.
Covering a Beatles
song is always going to be a risky business as critics and nostalgists
are bound to make reference to the recording once made by John, Paul,
George and Ringo. Covering a Beatles song for a worship album was,
until Mr Yates' effort, completely unheard of. Yet on his 'Awaken To
Love' album it's a standout. The song itself reminds us that it is the
agape love of God which partners and directs us through the twists and
turns of life. Ian is based in Liverpool and has seen first-hand how
affecting this Beatles oldie can be on those seeking the power of God.
954. THE FLOOD - MORNING TIME, 1994. From the various artists
album 'Cross Rhythms: Sanctified Dance From The UK Underground',
N-soul.
Back in 1993 Cross Rhythms was asked to compile
an album of British Christian dance music tracks for American record
label N-Soul Records. In the '90s, N-Soul were the focal point in the
Church's first steps into the musical culture of clubland and
recognised that there were a few Christian record producers turning
out house and electro music that deserved an airing in the US. And so
the CD 'Cross Rhythms: Sanctified Dance From The UK Underground' came
into being. Pride of place on the compilation was the track "Morning
Time" by a Windsor-based club DJ who called himself The Flood. It was
a gem.
955. FISK UNIVERSITY JUBILEE SINGERS - WERE YOU THERE, 1920.
From the various artists album 'The Earliest Negro Vocal Groups Vol 5
1911-1926', Document.
As everyone knows, stirring and
sometimes beautiful African-American spirituals were created in the
awful era of American slavery. After slavery was abolished in the
Southern states, black schools and colleges began to spring up
including the pioneering Fisk University. The university came up with
a clever idea to raise funding and formed a small touring choir. And
so the Fisk University Jubilee Singers became popularisers of
spirituals as they took these moving songs of faith and spiritual
freedom all around the world. The Fisks even got to perform before
Queen Victoria. They were also amongst the first acts to record, first
on cylinder and then on 78 rpm singles, and their rendition of "Were
You There When They Crucified My Lord" still stirs the soul almost a
hundred years after it was recorded.
956. BETHEL MUSIC - LION AND THE LAMB, 2016. From the album
'Heard It All', Bethel Music.
Every year or two the
modern worship movement produces a song about which many will
confidently predict will be sung in churches for years to come. Such
is the case with "Lion And The Lamb". Written by Leeland Mooring,
Brenton Brown and Brian Johnson it brilliantly reflects on the
paradoxical nature of the godhead, the warrior king goes before us in
battle and the Lamb of God who appeared to the lay down his life so we
would be free from the bondage of sin. This simple yet profound song
is sung upliftingly by those revivalists from Redding, California,
Bethel Music.
957. ANDRE CROUCH & THE DISCIPLES - SOON AND VERY SOON,
1976. From the album 'Vol 1: The Classics', Light.
Andrae Crouch & The Disciples were a pivotal ensemble in
developing the Jesus music of the early '70s into the contemporary
Christian music of later times. They were also, with their
multi-racial lineup, the first group to bridge the gap between
African-American gospel music and the pop music of progressive white
congregations. "Soon And Very Soon" is one of Crouch's classic
compositions, a joyful call-and-response which looks forward to the
Lord's return.
958. ARIZONA DRANES - I'll Go Where You Want Me To G
, 1927. From the various artists album 'Wade In The Water: A Soul
Chronology Vol 1 1927-1951, History Of Soul.
Even as far
back as the 1920s there were popular piano-pounding players of gospel
music to demonstrate that not all the hot piano players resided in
sleazy clubs and bars. Arizona Dranes was a blind singer, pianist and
fixture of the Church Of God In Christ. Sadly, she died in obscurity
in the 1960s but left behind a series of recordings now revered by
musicologists. "I'll Go Where You Want Me To Go" is one of the best.
959. ZACH WILLIAMS - CHAIN BREAKER, 2016. From the album
'Chain Breaker', Essential.
A singer/songwriter from
Jonesboro, Arkansas, Zach Williams surprised many industry observers
when he came up with a huge Christian radio hit in 2016 with his song
"Chain Breaker". A celebration of how the Lord frees us from spiritual
bondage, it's a song which has connected with countless churchgoers.
960. WISEMAN SEXTETTE - SHINE ON ME, 1923. From the album
'Complete Recorded Works In Chronological Order 1923',
Document.
Lining out, where a frontman sang or chanted a
line of a gospel hymn and the congregation sang it back, was an
ancient way in rural churches of leading a congregation through a
worship song. As explained on the spoken introduction of the 78 "Shine
On Me" by the Wiseman Sextette this form of worship was considered
"old-fashioned" even in the 1920s. But the group, led by the Reverend
T H Wiseman and recorded in New York in July 1923, here shows that
there was considerable spiritual impact in their performance of
authentic folk art.
961. DAVID DUNN - YELLOW BALLOONS, 2017. From the album
'Yellow Balloons', BEC Recordings.
In 2016
singer/songwriter David Dunn made his way to his hometown of Midland,
Texas, where he was going to play a concert. He stopped by his
sister's house to visit his two young nieces. Before he left his
sister put the younger child down for a nap. She never woke up. The
cause of her death was never discovered, leaving the family with
broken hearts and a raft of unanswered questions. David channelled his
grief into the haunting song "Yellow Balloons". It is a hugely moving
song.
Tony Cummings
962. ALFRED G KARNES - I AM BOUND FOR THE PROMISED LAND, 1927.
From the various artists album 'Kentucky Gospel',
Document.
The rural folk music of the Deep South of
America was the foundation stone for country music. Amongst the
hundreds of practitioners of such music Alfred G Karnes from Kentucky
recorded the uplifting hymn "I Am Bound For The Promised Land". Its
joyful reflection on the heavenly delights that await believers still
hits home 90 years on.
Tony Cummings
963. SIDEWALK PROPHETS - THE WORDS I WOULD SAY, 2009.
From the album 'These Simple Truths', Fervent.
The pop
rock band from Nashville, Sidewalk Prophets, enjoyed a major Christian
radio hit in 2009 with this song and the band were subsequently named
New Artist Of The Year at the annual Dove Awards. "The Words I Would
Say" imagines what the writer would say if a loved one was with him
face-to-face. It's crammed with wise counsel. "Never give up hope,"
"God's hand is on you so don't live in fear," "Be strong in the Lord."
A gem of a song from Sidewalk Prophets' David Frey.
Tony
Cummings
again thank you Tony for your efforts greatly appreciated, mind you l go back to the tour of the top twenty at GB 84