Once again Tony Cummings sifts through around 1,000 Christian music releases to identify the 20 best albums
LARRY MILLER - On The Edge
(Big Guitar)
Larry may be a hero among the blues rock
cognoscente but to most Christian music devotees he remains unknown
despite the smattering of albums down the years giving occasional
indications of his strong Christian faith. This, his latest album, was
described as "blues rock brilliance" by Guitar & Bass magazine and
I wouldn't argue. Despite his clear stylistic indebtedness to Rory
Gallagher there is such confident compositional swagger and dazzling
display on his Fender that words like "timeless" and "breathtaking"
come to mind wherever one dips into 'On The Edge'. Particular
standouts are the ZZ Top-influenced "Road Runner" and a song, "When
The Blues Men Walked The Earth", that could almost describe the
Reading-based muso's tireless services to music. "Seven mouths he had
to feed/Playin' all night 'til the fingers bleed/Gettin' home in a
battered Ford/But Sunday mornin' he'll be praisin' the Lord."
BOB DYLAN - Tempest
(Columbia)
It continues to amaze me that reviewers and
journalists can examine every Dylan song under a microscope yet fail
to make mention of the fact that a Christian world view is obvious in
many of his songs and that on a track here like "Narrow Way" - the
incarnation, the crucifixion and the resurrection are all proclaimed
over a crunching blues riff. This, Dylan's first set of new recordings
for quite a while, is a creative tour-de-force. Recording with his
tried and tested road band and sporting a rootsily organic sound
Dylan's new material is powerful, engaging and surprisingly varied.
There's "Tin Angel", described by the Cross Rhythms reviewer as "a
lovers' triangle of lust, revenge and murder," the 14-minute long
title track about the doomed liner, the Western swing-style "Duquesne
Whistle" and even a spoken eulogy of human regret "Long And Wasted
Years". Clearly the rock icon still has much to sing about even if
those myopic critics fail to recognise the biblical messages that
permeate his work.
VARIOUS - The No 1 Classic
Gospel Album Ever (Goldenlane)
As was noted in our
original review this compilation bizarrely includes several tracks
from country crooners completely out of place on a collection of
African American gospel. But what makes one forgive such strange
inclusion, and the shoddy mis-titlings and artist abbreviations in
this download album, is the sheer quantity (and quality) of the
vintage gospel tracks here. For a mere £7.49 this 200-track
compilation offers recordings by most of the major figures of '40s and
'50s gospel. So if you're looking for your first taste of Sister
Rosetta Tharpe, the Soul Stirrers, the Staple Singers, Mahalia
Jackson, The Caravans, The Blind Boys (both Alabama's and
Mississippi's), Bessie Griffin and many more 'The No 1 Classic Gospel
Album Ever' is a great place to start. As well as the gospel giants
there's also plenty of room here for obscurities from the
Spiritualaires, Sister Lottie Peavy, The Drexall Singers and many
more. Yes, it would have been great to have all these in a box with
comprehensive sleevenotes. But much of this thrilling, gutsy,
cathartic music is timeless and at this bargain price, irresistible.
GABRIEL WILSON - The Maguire
Side (Independent)
After his occasionally brilliant work
with the Rock 'n' Roll Worship Circus and his somewhat underwhelming
CDs by The Listening, nobody was prepared for singer/songwriter
Gabriel's move into American folk/Southern gospel/Americana. But
inspired by the recent discovery of his musical roots (Gabriel's
grandfather was a singer/preacher and his uncle Southern gospel giant
Dony Maguire), Gabriel penned a batch of rootsy songs which were a
perfect foil for the dobros, acoustic guitars and vintage organs which
dominate this warm and eloquent set. Lyrically Maguire elegantly
expresses his feelings and memories as he touches on loss and
abandonment, missed opportunities and hope of Heaven. The gems include
"Rocking Chair", a melancholy tale as a mother explains to her son
that daddy is going away but how "God is strong and will never leave
you." Perfectly in keeping with the vibe of this beautifully executed
retro album, as well as the CD, 'The Maguire Side' is issued in a
nicely designed vinyl version.
CHIP KENDALL - Holy Freaks
(Independent)
The one-time frontman with
thebandwithnoname here continues where he left off with that renowned
band of Manchester musicianaries, making music that fuses rock and
hip-hop, electro and pop all with passionate lyrics of faith and
conviction. One of two, like "Evolution", have emanated from his
schools work with a deejay and a scientist in tow, others, like
"Answers", came out of a mission trip to India. There's a bit of
dubstep worship and a powerful reassembly of "The Old Rugged Cross"
which brings back memories of thebandwithnoname's "Amazing Grace".
Despite bringing seven different producers in to make 'Holy Freaks',
Chip manages to retain a certain coherence in all the wild
eclecticism. When released Cross Rhythms wrote, "In an age when whole
sections of youth culture are lost in cynicism or materialism and
where, even in the Church, there are many believers uncomfortable in
presenting the radical message of the Cross to a dying world, Chip
speaks, raps and sings with an authority that few other figures in CCM
seem able to muster.
You can buy Holy Freaks from Cross Rhythms Direct for ONLY
£9.97.
JOSH GARRELS - Love &
War & The Sea In Between (Independent)
The fact that
this songsmith from Portland, Oregon, released this 18-song opus as a
free download demonstrates both his generosity and his determination
to get his finely crafted songs "out there". Sometimes there are hints
of some of the best known singer/songwriters - "Bread And Wine"
vaguely resembles something a more spiritually-minded Jack Johnson
might have recorded while "Million Miles" echoes the best of Ray
LaMontagne. But Josh's winning way with lyrics ensure that there's
plenty of creative edge on show. Particular standouts are "The
Resistance", his withering condemnation of corrupt and unjust
institutions ("I was born into a system constructed for failure/It's a
sinking ship manned by drunken sailors") and the haunting "Farther
Along" which asks some searching questions ("Tempted and tried, I
wondered why/The good man died, the bad man thrives/And Jesus cries
because he loves them both"). Masterly stuff.
THE VESPERS - The Fourth
Wall (Black Suit)
This has been an excellent year for
American/folk-tinged music and this Tennessee foursome, consisting of
the Cryar sisters and the Jones brothers, came up with another set of
songs every bit as appealing as their warm-hearted debut of 2010 'Tell
Your Mama'. This time with a tighter and slightly rockier production
than their debut, producers Anderson East and Daniel Scobey still
wisely keeps the emphasis on the wistful blend of Callie and Phoebe
Cryar's voices with the double bass and all manner of acoustic
instruments give the songs a deft retro feel. The Cross Rhythms
reviewer, commenting on "Jolly Robber", wrote, "any band who have the
audacity to write an upbeat, catchy song about a thief with bipolar
disorder is guaranteed to be a hoot" while their renditions of
"Grinnin' In Your Face" by legendary Mississippi bluesman Son House
and the moving song of faith "Better Now" make this a must have album
for those with acoustic music tastes.
KRISTENE DIMARCO - Safe
Place (Jesus Culture)
Ever since Kristene DiMarco
emerged from the team of Jesus Culture worshippers and released the
'Those Who Dream' album (under the name Kristene Mueller) Cross
Rhythms having been enthusing about his exceptional Californian
singer/songwriter. If anything, 'Safe Place' is even better than her
debut. One reviewer described Kristene's approach as "acoustic
creative folk rock" while her voice has the same country-tinged
poignancy of a Leigh Nash with a touch of Britain's Eliza Doolittle.
Kristene's compositions investigate a wide range of subjects. As well
as songs of adoration to the King there's an inventive number "Paint
Me A Picture" about the act of creating while another "A Lonely
Carpenter" imagines the conversations Jesus might have had with God
the Father in the wilderness. Wonderfully executed, finely crafted
songs from a memorable singer.
You can buy Safe Place from Cross Rhythms Direct for ONLY
£9.97.
OOBERFUSE - Seventh Wave
(Independent)
Over their two albums and smattering of
singles, London's Ooberfuse have moved from being an experimental art
pop group with strong Eastern music leanings to an electro pop band
with a strong grasp of what sounds good in the clubs. But they've
never lost their lyrical edge and determination to shine the political
spotlight on the injustices of a sin-soaked world. So here we have
"Free Asia Bibi" which succinctly sums up the plight of a Pakistani
mother who proclaimed her faith and earned the death penalty and
"Blood Cries Out", a song paying tribute to Shahbaz Bhatti, the
Pakistani politician who was gunned down after speaking out against
Pakistan's infamous blasphemy laws. With a fine lead singer in Cherrie
Anderson Ooberfuse make some propulsive dance pop as well - check out
"Call My Name". All in all, Ooberfuse are one of the most original
acts to hit the scene, Christian or non-Christian.
AS I LAY DYING - Awakened
(Metal Blade)
With Underoath's retirement, many would
claim that the San Diego-based outfit are now Christendom's top metal
outfit and on the strength of this brutal yet poetic set few will
argue. The drummer with the Descendents Bill Stevenson gives them the
kind of sonically majestic soundscape they need to bring out the power
and authority of their literary lyrics while the fusion of hardcore
and melodic elements is achieved with flamboyance and invention. There
are also one or two welcome surprises, like the stunning guitar solo
on "No Lungs To Breathe" while the closing numbers "My Only Home" and
"Tear Of My Eyes" are as powerful as anything vocalist Tim Lambesis,
lead axeman Nick Hipa and that rock solid rhythm section have ever
achieved.
MINDY SMITH - The Essential
(Vanguard)
Mindy's Vanguard albums are exceptional
examples of modern country music so this compilation of the best
tracks from 2004's 'One More Moment', 2006's 'Long Island Shores' and
2009's 'Stupid Love' could hardly fail. With a couple of nice bonuses,
including Mindy's sinuous cover of Fleetwood Mac's "Little Lies" and
her two classics, her breathtaking rendition of "Come To Jesus" and
her painfully sad goodbye to Mindy's deceased mother "One More Moment"
are the obvious highlights but throughout the songwriting craft and
the delicious poignancy of Mindy's phrasing make for an outstanding
album of songs about love both sacred and stupid.
ELEVEN22 - The Reason
(Independent)
From the start the opener "God Alone"
establishes that 'The Reason' is a modern worship set, head and
shoulders above the standard stadium rock anthems that pour out from
record labels and large-congregation churches. Eleven22 began as the
worship team at Beach United Methodist Church in Jacksonville, Florida
and "God Alone" shows that Gretchen Martin is an exceptional vocalist
as she takes the song from a tender-hearted confessional over a rich
string section to wall-of-noise guitar and keys crescendos. Production
by Jeremy Edwardson of The Myriad is sonically top rate while whether
the band are declaring their victory in battling through life's storms
on "I Found A Love" to an elegant and passionate rendition of the
beautiful hymn "It Is Well With My Soul" the effect is continually
impressive. Top rate modern worship.
SARAH MACINTOSH - Current
(Integrity)
Those CCM connoisseurs who followed the
excellent but short-lived career of Chasing Furies will know that
Sarah was the possessor of that haunting voice that made the group's
1999 album so memorable. Now her husband and keyboards whiz Jonny
Macintosh has enabled Sarah to make an album which manages to be as
inventive and cleverly delivered electro pop as you're ever going to
hear while never smothering Sarah's delicately appealing voice in too
many levels of electronic trickery. The Cross Rhythms reviewer
observed 'Current' offered songs with each containing a story, "some
of brokenness, but all are tinged with hope in the Saviour" while
Josh's brilliant use of samples and unexpected synth riffs and sounds
perfectly accompany the top line melodies. The opener is the Cross
Rhythms turntable hit "Current" but throughout voice and production
make a memorable sound.
You can buy Current from Cross Rhythms Direct for ONLY
£9.97.
JASON UPTON & THE
GOODLAND BAND - Family Music (Key Of David)
No one who'd
heard Jason's shoal of previous albums with their intense
semi-improvised explorations into the wall-of-sound realms of
prophetic worship could have in any way prepared the listener for this
album. Cross Rhythms' reviewer, struggling to find words to describe
the worship leader's unexpected entrance into children's and family
music, suggested "dropping the Bonzo Dog Doodah Band and the cast of
Playschool into Bruce Springsteen's Seeger Sessions" which is a
reasonable attempt at pinpointing the wild eclecticism, infectious
humour and downright eccentricity captured here. Cross Rhythms radio
listeners will already be familiar with the nostalgic paean to lost
childhood on "Tater Peeler Road" while the pre-school ditties "Doctor,
Doctor" and "Candy" are delivered with maximum aplomb. Top rate
musicianship and a winning way with melody and lyrics make this the
best children's/family album you're likely to hear this or any
year.
You can buy Family Music from Cross Rhythms Direct for
ONLY £9.97.
YOUNG CHOZEN - Class
President (Independent)
The debut album from this
youthful Los Angeles rapper manages to balance the production
inventiveness that the top selling hip-hop stars offer without
over-glossing the gutsy passion of word-and-rhythm with the vibe of
street level raps without ever descending to the
rants-with-drum-machine monotony of much budgetline hip-hop. The
emcee's way with words, usually based on solid Scripture, is sure
footed and whether he's offering an R&B/rap mix like "I'm Gone",
some old school '80s beats like "Drive Through" or coming up with the
best song based on Proverbs 31 since Larry Norman told us he was
"looking for a woman of God" on "31 Status" the effect is continually
fresh and potently relevant. A fine album deserving of maximum
exposure.
FOR KING & COUNTRY -
Crave (Fervent)
Overlooking the mysterious omission on
this Australian' duo's official biography (for some unexplained reason
Joel and Luke Smallbone didn't want to tell the world that they were
brothers of Rebecca St James), this release immediately caught the
attention of the Cross Rhythms team. The brothers wrote all but one
track on this album and with magnificent production from Shaun
Shankel, Matt Hales and Ben Glover their songs of faith and adoration
have the kind of epic grandeur which few acts trying to echo the sound
of Coldplay and other mainstream million sellers get near to. For King
& Country's stunning full length debut has produced no less than
four Cross Rhythms turntable hits: "Love's To Blame", "People Change",
"Light It Up" and "Missing" and the appealing blend of voices, the
continually inventive arrangements and the spiritual challenge of the
lyrics make for an exceptional release.
You can buy Crave from Cross Rhythms Direct for ONLY
£9.97.
DAMITA - Anticipation
(Tyscot)
For my money the best R&B gospel album of
the year. Having already made two good albums Damita Haddon, wife of
gospel star Deitrick, delivers a tour-de-force of self-penned
inspirational dance and urban gospel. The lyrics are clearly targeted
at teenage girls struggling to find a moral compass in a culture
surrounded by immorality and the fact that Damita so incisively points
her listeners away from the lies and exaggerations of pop radio
culture and towards the true lover of our souls is well judged and
skilfully done. Great cuts abound here. There's the club dance rhythms
of "Praise U Now", the tender "I Love You" and the slyly executed
radio-friendly opener "Won't Turn Back". A gem of an album, even if
you aren't a teenage girl.
You can buy Anticipation from Cross Rhythms Direct for
ONLY £9.97.
JESUS CULTURE WITH MARTIN
SMITH - Live From New York (Jesus Culture)
It always had
the potential of producing something special - getting the one-time
Delirious? frontman in a large auditorium to lead worship with the
singers and musicians from Redding, California's renowned Jesus
Culture setup. And so it proved to be. The gathering at New York's
Nassau Veterans Coliseum must have been a life changing event judging
from the music captured here. Smith's new songs like "Fire Never
Sleeps", "Waiting Here For You" and "Song Of Solomon" - first heard on
the singer's 'God's Great Dance Floor' EPs - take on a new power and
resonance in this setting while the Delirious? oldies, with spine
tingling contributions from the gathered throng, are also wonderful.
Jesus Culture's Kim Walker-Smith is in fine voice as she powerfully
emotes on One Sonic Society's "Walk With Me" and Bryan & Katie
Torwalt's "Holy Spirit" while the Chris Quilala songs are strong too.
My nomination for the best live worship album ever recorded.
You can buy Live From New York from Cross Rhythms Direct
for ONLY £9.97.
ANDREW PETERSON - Light For
The Lost Boy (Centricity)
Cross Rhythms has already gone
on record to say that the opening two tracks here, "Deliverance" and
"Cornerstone", are classics and if that's not enough, the closer,
"Don't You Want To Thank Someone", is another magnificently crafted,
beautifully sung and arranged song which gets better with every play.
The fact that Christendom has produced one of the GREAT
singer/songwriters of this age may be a fact still unknown to many UK
churchgoers but that will surely change. Peterson's artful blend of
Americana and American folk and lyrics which poetically explore the
human condition, place him head and shoulders above all the other
songsmiths and with magnificent production here from Ben Shive (Sara
Groves, Matt Werz) and Cason Cooley (Matthew Perryman Jones, Mat
Kearney) with Andy Gullahorn co-producing, this is an album that
anyone blessed to hear it will be enjoying for years to come.
You can buy Light For The Lost Boy from Cross Rhythms
Direct for ONLY £9.97.
BRITT NICOLE - Gold
(Sparrow)
Cross Rhythms' reviewer described 'Gold' as
"near perfect pop" and the singer and songwriter from North Carolina
has certainly to age with this, her third album. The most infectious
track of all is the current Cross Rhythms turntable hit "Breakthrough"
which not only has a hook to die for but with its breakdown into beeps
and scratches shows that American producers (in this case David Garcia
and Christopher Stevens) are beginning to come to terms with the sound
of dubstep. With lyrics aimed at teen and pre-teen girls this takes in
themes like the journey of getting to know God on "Who You Say You
Are", while the propulsive "Amazing Life" would be a guaranteed
floor-filler if clubland ever get to hear it. Britt's first two
outings were good but this one is special.
You can buy Gold from Cross Rhythms Direct for ONLY
£9.97.
It really annoys me when Christian critics pass on dirisory comments about Christian producers! Some of the best producers in the world are Christians, for instance: Brown Bannister, Terry Scott Taylor, Jonathan David Brown, Mark Heard (deceased), John & Dino Elefante, Bill Beaumgart, Dan Needham, Buddy & Julie Miller, Bill Schnee, Paul Smith, Mike Roe, Derri Daugherty, Steve Hindalong, Carolyn Arends, Phil Naish, Steve Taylor, Billy Smiley, Mark Gershmehl .... and so the list goes on. Modern, and past, secular producing is sub-standard, not Christian producing!! Try listening to the production on Mark Heard's last album (Mark died on 16th August 1992), 'Satellite Sky', (Mark produced the album himself with an incredibly low bedget too!) then tell me Christian producers haven't caught up with secular garbage!! In the Old Testament, in the Psalms I believe, tells us to 'sing every song as unto God', so why are Christian critics listening to secular garbage anway? We won't be singing secular, self-centred, and immoral songs in Heaven, so why listen to them down here, and say they are produced better than Christian producers' efforts in the Christian music scene?!! Mark Gershmehl (ex-Whiteheart) - says on the 'Don't Wait For The Movie' VHS video 'This idea that secular music is better than Christian music, is just a joke as far as I'mconcerned!')