From playing stadium gigs with Eric Clapton to leading worship in settings large and humble, DAVE MARKEE has done it all. The rock industry veteran spoke to Stuart Dearsley.
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I believe God's timing was rather interesting!
"Yes, that day I was due to meet with a guy named Peter Rudge, who
used to be on the road with The Who, and he was trying to sign me up
on a contract, he'd flown over especially from New York that morning
and all that I could do was spend the whole time telling him that
Jesus loved him. The contract was worth a few bob, and both my wife
and Peter thought I'd gone mad and there was even a suggestion I was
on the verge of a nervous breakdown! To be honest, that couldn't have
been further from the truth. I'd never felt as good before as I did
that day."
Did it take you long to convince your wife of your new found
faith?
"No, not really. After about three or four months
she eventually recognised that God had changed me a lot and she too
became a Christian. It strengthened our marriage and helped us
overcome our problems which had been mainly caused by the rock and
roll lifestyle."
What was it like to be a Christian amongst famous
musicians?
"To be honest, it was tough but I was
determined to do a good job while not compromising my faith. I'd met
Eric before and after becoming a Christian and I think he found a big
change in me as I was a radical Christian and God had become very real
to me."
One of your first projects with a Christian label was the
Valeri Barinov inspired album 'The Trumpet Call'.
"Yes,
I was approached by Danny Smith, Barinov's campaign organiser in
London and he gave me the tape and asked me if I could make anything
out of it. He had brought it from Russia where Valeri was in jail for
preaching the Gospel. He had recorded it in secret and when I got them
the tapes were in a real mess as the recording techniques used were
not the best but they'd done well considering the circumstances under
which they had been done.
"I've never met the guy although I did speak to him on the phone once when he was in England. He was a radical and it did something for my faith in that here was a man under terrible circumstances preaching about God and getting beaten up in jail for it and there's us over here who don't have to suffer anything anywhere near as bad as that.
"The album itself didn't prove very successful although I was pleased at how it turned out. At the time I was young and inexperienced as a Christian so I may have done things differently."
Next I believe was 'To The Chief Musician'.
"That was in 1988 and it was a live worship album and there are
plenty of good songs on it. They were all my own songs and it still
sells well at gigs. Since then I have done a few minor recordings for
festivals but my next major attempt was 'Yes Lord'."
What was the inspiration for another live album?
"I find that live music is much better than recorded. Recorded music
can be sterile unless you get a really great performance and there are
very few people who could pull that off. Glyn Johns produced great
performance-orientated albums, such as Joan Armatrading.
"With worship music you don't have to worry about the atmosphere or the anointing as it's already there. If you can get a great recording out of live worship, I would have it every time. I hope to do another studio album soon."
What did you set out to achieve with 'Yes Lord'?
"I set out to be myself rather than trying to be a worship leader. I
wanted it to be Dave
Markee expressing his roots, my music, and my praise to God. One
of the tracks by Dave Ruis, 'Sing A Song Of Celebration', I played in
four four instead of three four. I started off doing it as a joke in
rehearsals one day, but it came out so well I used it on the album.
"I also took Psalm 142 verses one and two and rewrote it to appeal to today's generation. Jesus was a Jew and spoke in a way that they would understand and I feel that it's up to us to communicate in a way people can relate to and one of my ways is to use blues."
And another cover version of "Amazing Grace".
"Well, what can you say that hasn't been said about this song? It's
a classic and can be sung in a variety of ways and with my arrangement
I wanted to make a connection with the past and the present."
Tell me about the 'Yes Lord' tour.
"In all, we
did eight or nine dates covering the country although the dates were
well spread out. God's anointing really fell and people were released
and the ministry was great. All the elements were there, worship,
entertainment, ministry, prophecy, you name it we had it.
"One of the gigs was in Solihull and there were supposed to be two services but because the first one went so well, that idea had to be scrapped. I go out with the intention of having a party. There should be fun stuff and serious teachings, but Christianity should be enjoyed. I want to encourage the Church not to miss out. Take yesterday for instance. I read somewhere that Cardinal Ratzinger has said that all rock and roll is of the Devil! It's madness, the Church is being fooled into making a division. Satan is trying to shut us down through our cultures. That's one of the reasons I'm in the market place."
I'm just re-typing your 'Sometimes when I feel out on my own' to use at a Cafe Church - great song and timeless